Act III - Wisdom Literature, Scene5
Script by Bob Allen
For four voices
Scene 5
4
3
2
1
(ALL FOCUS
DOWN LEFT TOWARD THE BACK OF
THE READER
IN FRONT OF THEM. ALL LINES FROM THE
PSALMS SHOULD BE DIRECTED DOWN LEFT, ALL OTHER LINES SHOULD BE SPOKEN TOWARD
THE AUDIENCE))
VOICE THREE: (TOWARD
AUDIENCE) According to Rabbinical
tradition, a harp hung suspended
over the couch of David. Night breezes, rippling over the strings would
awaken him
and constrain him to write words to the strains of its melody until
the day dawned and
the daystar arose.
VOICE ONE: (FOCUS DOWN LEFT) Awake up, my glory; awake, psaltery and harp:
I myself will awake early.
VOICE TWO: (TOWARD AUDIENCE) In the poetry of the Psalms is found the
private expression of every person who has sought for an understanding of
himself and his connection to his Creator.
Jehovah remains supreme as the psalmists record their search for
fellowship with the King of Kings.
VOICE ONE: (DOWN LEFT) Kiss the Son, lest he be angry, and ye perish
from the way, when his wrath is kindled but a little. Blessed are all they that put their trust in
Him.
VOICE FOUR: (TOWARD AUDIENCE) Some of the Hebrew poetry involved didactics,
teaching by means of acrostics and parallel thought progressions.
VOICE THREE: (DOWN LEFT) O give thanks unto the Lord; for he is good:
for his mercy endureth forever. O give
thanks unto the God of gods; for his mercy endureth forever. O give thanks to the Lord of lords; for his
mercy endureth forever.
VOICE TWO: (TOWARD AUDIENCE) Most of the poetry was lyric, designed for
singing and appealing to the emotions of the heart.
VOICE ONE: (DOWN LEFT) O give thanks unto the Lord; call upon his
name; make known his deeds among the people.
Sing unto him, sing psalms unto him; talk ye of all his wondrous
works. Glory ye in his holy name: let
the heart of them rejoice that seek the Lord.
VOICE FOUR: (TOWARD AUDIENCE) Worship, for the psalmists, began in the
heart. Enhanced by their own experience
and amplified for participation by crowds of temple celebrants, the adoration
forms illustrated by the psalmists influenced succeeding generations of worship
leaders.
VOICE THREE: (TOWARD AUDIENCE) To hear is to worship. Proclaiming the awesome works of Almighty God
is a method of corporate worship. (DOWN
LEFT) We have heard with our ears, O God,
our fathers have told us, what work thou didst in their days, in the times of
old.
VOICE ONE: (TOWARD AUDIENCE) To petition God is to worship. Public prayer as a worship form should be a
representation of the prayers being voiced privately throughout the
congregation. It should not be a time
when one person prays and others listen. (DOWN LEFT) Unto thee will I cry, O
Lord, my rock; hear the voice of my supplications, when I cry unto thee, when I
lift up my hands toward thy holy oracle.
VOICE TWO: (TOWARD AUDIENCE) To give thanks is to worship. When the psalmist gave thanks it involved the
acute understanding that he depended completely upon God for all life’s
necessities. Thanksgiving in public
worship focused on the power and the provision of God. (DOWN LEFT) In God we boast all the day long, and praise
Thy name forever.
VOICE FOUR: (TOWARD AUDIENCE) To write creatively is to worship. My heart is indicting a good matter: I speak
of the things which I have made touching the king; my tongue is the pen of a
ready writer. While superintending the
inspiration of Psalm 45, the Holy Spirit allowed the author ot acknowledge the
gift of creative writing. People in a
congregation who might never have the courage to speak publicly can write
materials for others to use in worship which will be a blessing to all those
who unite their hearts in praise to God.
VOICE THREE: (TOWARD AUDIENCE) Instrumental praise is worship. Trumpets, cymbals, stringed instruments and
organs. Psaltery, harp and timbrel. All of the rhythms, harmonies, orchestrations
and ensemble sounds of the Hebrew musicians found expression in temple worship. (DOWN LEFT)
Praise ye the Lord. Praise God in
His sanctuary: praise him in the firmament of his power. Let everything that hath breath praise the
Lord. Praise ye the Lord.
VOICE ONE: (TOWARD AUDIENCE) Rejoicing has its place in worship. While the transcendence of God evokes worship
images of solemnity, silence, and reverence, the Lord of Hosts can also be
greeted with shouts of approbation and expressions of triumphant victory. Cultural differences may spawn a variety of
methods for expressing a joyful spirit, but the creation of such a spirit must
be the goal of every worship leader.
(DOWN LEFT) O clap your hands,
all ye people; shout unto God with the voice of triumph.
VOICE TWO: (TOWARD AUDIENCE) Invitation involves worship. The Psalms abound with invitations to know
God, to praise God, to worship God. Be
it in the tolling of bells inviting people to church, a time for decision
following the message or a verbal reply to Scripture reading, an invitation
which requires response should always be a part of worship. (DOWN LEFT) Be still and know that I am God: I will be
exalted among the heathen, I will be exalted in the earth.
VOICE FOUR: (TOWARD AUDIENCE) Singing expresses our worship. Vocal music is probably associated with
corporate worship more often than any other element. Choir anthems, worship teams, soloists and
ensembles, as well as congregational singers find inspiration in the
Psalms. Beautiful lyrics supported by
strong melodies and lush harmonies are offered as sacrifices of praise to the
audience of One. (DOWN LEFT) Sing
praises to God, sing praises; sing praises unto our King, sing praises. For God is the King of all the earth: sing ye
praises with understanding.
VOICE THREE: (TOWARD AUDIENCE) To speak the praises of God is to
worship. The Psalms in their entirety
consist of a witness to the power, majesty, holiness and mercy of God. This was their way of guaranteeing that the
next generation would hear the goodness of God proclaimed. Well-planned and organized testimonies add a
dimension to a worship service reminding all present that God is still at work
on behalf of His people. Scripture
readers tell about God in the very words of inspired Scripture. Speaking choirs share the Word in choral
fashion, effectively bringing the Scriptures to life in corporate worship.
(ALL STAND
AND FACE THE AUDIENCE)
VOICES
ONE/THREE/FOUR: God is our refuge and
strength,
VOICE TWO: A very present help in trouble.
VOICE ONE: Therefore we will not fear,
VOICE TWO: though the earth should change,
VOICES
TWO/THREE: And though the mountains
slip into the heart of the sea;
VOICE
TWO/THREE/FOUR: Though its waters roar and foam,
VOICE TWO: Though the mountains quake at its
swelling pride.
VOICE
ONE/THREE: There is a river
VOICE FOUR: whose streams make glad the city of
God.
VOICE TWO: The holy dwelling places of the Most
High.
ALL: God is in the midst
of her,
VOICE TWO: God is in the midst of her.
VOICES
THREE/FOUR: God is in the midst of her,
ALL: She will not be moved.
VOICE ONE: God will help her
VOICE TWO: When morning dawns.
VOICES
THREE/FOUR: The nations made an
uproar, the kingdoms tottered;
VOICE ONE: He raised his voice, the earth
melted.
ALL: The Lord of hosts is
with us; the God of Jacob is our stronghold.
VOICE THREE: Come, behold the works of the Lord, who
has wrought desolations in the earth.
VOICES
THREE/FOUR: He makes wars to cease to
the end of the earth.
VOICES
ONE/THREE/FOUR: He breaks the bow
and cuts the spear in two;
ALL: He burns the chariots
with fire.
VOICE TWO: Cease striving
VOICE ONE: And know that I am God;
VOICES
THREE/FOUR: I will be exalted among the
nations,
ALL: I will be exalted in
the earth.
VOICE TWO: The Lord of hosts is with us;
VOICES ONE/TWO: The Lord of hosts is with us;
ALL: The God of Jacob is
our stronghold. God is our refuge
and strength.
(ALL SIT)
VOICE ONE: (TOWARD AUDIENCE) There can be no doubt that worship for the
psalmists focused on God. The entire
book concludes with a glorious doxology, five psalms of praise that begin and
end with “Hallelujah!” or “Praise Ye The Lord!”
All conflict has been resolved, suffering has faded into dim memory,
sleepless nights remain no more. The
agonizing prayers for deliverance have been transformed into paeons of
praise. Help and restoration have
appeared in the person of a loving Father who deserves all the glory our
brimming hearts can render.
VOICE TWO: (TOWARD AUDIENCE) Does that mean the writer of the doxology had
no problems? Were there no griefs to plague
his soul? Was he beyond the need for
help? Not at all. But his plagues and griefs, his sorrows and
disappointments, his groans and moans had assumed their proper place as minor
passages in the grand orchestral fanfare to the majesty and glory of Almighty
God.
(STAND AND
MOVE STOOLS, THEN REMAIN STANDING BEHIND THEM.)
4 3 2 1
VOICE THREE: He had learned to praise the Creator,
rather than the creation.
VOICE FOUR: He had learned to praise the Provider,
rather than the provision.
VOICE ONE: He had learned to praise the
Protector, rather than the protection.
VOICE TWO: He had learned to praise the Savior,
rather than the salvation.
(READERS #3 AND 4 REMAIN STANDING,
# 2 AND # 1 TURN THEIR BACKS TO THE AUDIENCE AND SIT)
VOICE THREE: Great is the LORD, and greatly to be
praised in the city of our God, His holy mountain.
VOICE FOUR: (SIT)
The LORD? Where am I? Oh!
That’s right. It’s time for
church.
VOICE THREE: Beautiful in elevation, the joy of the
whole earth is Mount Zion in the far north, the city of the great King.
VOICE FOUR: I don’t think I’m ready for this. How did I get to Mount Zion anyway?
VOICE THREE: God, in her palaces has made Himself
known as a stronghold.
VOICE FOUR: Oh, God is in Mount Zion. That makes more sense. Maybe I’d better find out what He’s doing
there.
VOICE THREE: For, lo the kings assembled themselves,
they passed by together. They saw it,
then they were amazed; they were terrified, they fled in alarm. Panic seized them there, anguish, as of a
woman in childbirth. With the east wind
Thou doest break the ships of Tarshish.
VOICE FOUR: Pretty impressive! If what I’m hearing is right, their enemies
were scared off just knowing that God was there in the city. Talk about a defense system.
VOICE THREE: As we have heard, so have we seen in the
city of the LORD of hosts, in the city of our God; God will establish her
forever.
VOICE FOUR: We’ve seen what we’ve heard? Doesn’t that mean that the fellow who wrote
that, is claiming to have experienced the same protection he had heard about
from the past? I wonder…
VOICE THREE: We have thought on Thy lovingkindness, O
God, in the midst of Thy temple.
VOICE FOUR: Past and present! God’s protection never changes. That’s worth thinking about.
VOICE THREE: As is Thy name, O God, so is Thy praise
to the ends of the earth; Thy right hand is full of righteousness.
VOICE FOUR: “The Mighty God! The everlasting Father!” As is Thy Name! Praise should be powerful and eternal. I should be here in church to praise God!
VOICE THREE: Let Mount Zion be glad, let the
daughters of Judah rejoice, because of Thy judgments.
VOICE FOUR: Let me be glad! Let me rejoice!
VOICE THREE: Walk about Zion, and go around her;
count her towers, consider her ramparts; go through her palaces; that you may
tell it to the next generation.
VOICE FOUR: Walk through our homes—God is here!
Consider His
people gathered to worship—God is here!
Go through
the temple He has built within us as a dwelling place for the Holy Spirit—God
is here!
God is here!
God is here!
(READERS #1
AND #2 JOIN IN WITHOUT TURNING AROUND.)
ALL: God is here! Hallelujah!
Praise Ye The Lord!
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